Classical Chinese Furniture
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History of Chinese Furniture Design

The early history of Chinese furniture recorded in excavated material, engraved stone and stamped brick reveals a mat-level furniture culture. The ancient Chinese knelt or sat cross-legged upon woven mats surrounded by various furnishings including low tables, screens, and armrests.

sitting

Developments toward high seating were influenced by foreign customs and the migration of Buddhism. Low platforms were another early form of raised seating furniture which were used as honorific seats by high officials and religious dignitaries during ceremonial and sacrificial rites. During the transitional period—from mat to chair—kneeling and cross-legged positions upon the seating platforms was common. Additionally, the raised platform also began to function as a large, medium-height table for dining.

During the late Ming and early Qing periods, furniture of a minimal classical style was abundantly produced in durable tropical hardwoods after a ban on imports was lifted in 1567. The use of these hard, dense woods spawned advancements in joinery techniques permitting the creation open, elegant forms previously unattainable in softer woods. This popularity of this furniture, which often reflected the restrained, elegant tastes of the scholar official's class, also spread through the rising nouveau-riche merchant class.

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